Posts
- 1960 - Contemporary
- A Q&A with John Akomfrah
- A Q&A with Lubaina Himid
- A Q&A with Luc Tuymans
- A Q&A with Rose Wylie
- A Q&A with… Alex Katz, painter
- A Q&A…. with George Shaw, painter
- Ai Weiwei at the Royal Academy
- Ai Weiwei: Most art is political
- Alice Neel, Uptown
- An Open Book: Chantal Joffe
- An Open Book: Quentin Blake
- Anselm Kiefer at the Royal Academy
- Anthony Caro, 1924-2013
- Bob Dylan: Portraits at the National Portrait Gallery
- Bridget Riley: The Stripe Paintings at David Zwirner
- Chuck Close
- Combine Harvester: Robert Rauschenberg at Tate Modern
- Conceptual Art in Britain 1964-1979
- Cy Twombly & Nicolas Poussin at Dulwich Picture Gallery
- David Hockney at Dulwich Picture Gallery
- David Hockney: buoyantly witty, expansive, and sometimes difficult
- Drawing in Silver and Gold: Leonardo to Jasper Johns
- Felix Gonzalez-Torres: playfully teasing, deadly serious
- Feminist art of the 1970s: knives, nudity and terrified Men
- Gerhard Richter: Panorama, Tate Modern
- Giant Steps: Robert Therrien at Parasol Unit
- Grayson Perry at Turner Contemporary
- Helen Frankenthaler at Turner Contemporary
- Hilma af Klint / Das Institut
- Imagine… Jeff Koons: Diary of a Seducer, BBC One
- In Sol LeWitt’s head is a machine that makes art
- Inventing Masks: Gillian Wearing and Claude Cahun
- Jasper Johns at the Courtauld Gallery
- Jeff Koons: so clever, yet so dumb
- Kettle’s Yard reopens: Cambridge gallery’s new extension allows its magical domesticity to shine
- Kienholz at Sprüth Magers
- Marina Abramovič at the Serpentine Gallery
- Michael Dean: Sic Glyphs at the South London Gallery
- Painting the American Dream: Jasper Johns at the Royal Academy
- Pauline Boty: Pop Artist and Woman at Pallant House Gallery
- Performing for the Camera at Tate Modern
- Philip Guston at Timothy Taylor Gallery
- Richard Diebenkorn at the Royal Academy
- Richard Hamilton at Tate Modern
- Richard Hamilton at the Serpentine Gallery
- Sarah Lucas at the Whitechapel Gallery
- She comes in colours: Surrealist women artists at the White Cube
- She’s lost control: Sophie Calle at the Whitechapel Gallery
- Susan Hiller at Tate Britain
- Tate’s Black Power exhibition: a timely clenched fist in the gut
- The Bride and the Bachelors, Barbican Art Gallery
- Turner Prize 2015, Glasgow
- Turner Prize 2016 exhibition: verve, energy and plenty of earthy humour
- Turner Prize 2017 exhibition: exciting artists shine in a cleverly curated show
- Turner Prize 2017: inclusion of over-50s reflects reality of artists’ careers today
- Warhol at Tate Modern
- Why I love Tracey Emin’s bed
- William Scott at Hepworth Wakefield
- Yoko Ono at Guggenheim Bilbao
- Modern / avant-garde: 19th - 20th centuries
- Abstract expressionism: a phenomenon, not a movement
- Adventures of the Black Square, Whitechapel Gallery
- After The Revolution: Russian Art at The Royal Academy
- Alexander Calder at Tate Modern
- Alice Neel, Uptown
- Australian artist Sidney Nolan and his haunting heroes
- Brilliant, innovative, ingenious: Cézanne Portraits at the National Portrait Gallery
- Camille Claudel: The tragic lover who never escaped Rodin’s shadow
- Capitalist Realism: American Art at The Royal Academy
- Cézanne’s Card Players at the Courtauld Gallery
- Colouring Out: Queer British Art at the Tate
- Combine Harvester: Robert Rauschenberg at Tate Modern
- David Hockney: buoyantly witty, expansive, and sometimes difficult
- Double portraits: Sebastian Smee on The Art of Rivalry
- Drawing in Silver and Gold: Leonardo to Jasper Johns
- Edouard Manet at the Royal Academy
- Ensor: Before and After Magritte
- From kitchen slaves to industrial workers – the superwomen of Soviet art
- Graham Sutherland
- Graham Sutherland: An Unfinished World, Modern Art Oxford
- Helen Frankenthaler at Turner Contemporary
- Henri Matisse at Tate Modern
- Hilma af Klint / Das Institut
- Honoré Daumier at the Royal Academy
- How a small African figurine changed art
- How American Gothic became an icon
- I Am A Camera: August Sander meets Otto Dix in Liverpool
- Inventing Masks: Gillian Wearing and Claude Cahun
- Joseph Cornell at the Royal Academy
- Kazimir Malevich at Tate Modern
- Kettle’s Yard reopens: Cambridge gallery’s new extension allows its magical domesticity to shine
- Lowry and the Painting of Modern Life at Tate Britain
- Mark Rothko at Gemeentemuseum, The Hague
- Mondrian at Turner Contemporary and Tate Liverpool
- Painting the American Dream: Jasper Johns at the Royal Academy
- Paul Nash: haunting paintings from the battlefields of war
- Performing for the Camera at Tate Modern
- Picasso in Paris 1900-1907
- Picasso: Love, Sex and Art, BBC Four
- Picasso: Minotaurs and Matadors
- Picasso: The Vollard Suite
- Richard Diebenkorn at the Royal Academy
- Sargent and the Sea at the Royal Academy
- She comes in colours: Surrealist women artists at the White Cube
- Stanley Spencer: Nursery (Christmas Stockings)
- The Bride and the Bachelors, Barbican Art Gallery
- The dark side of the Belle Époque
- The illustrated man: on John Minton’s centenary
- Warhol at Tate Modern
- William Scott at Hepworth Wakefield
- 17th - 18th centuries
- Renaissance to 16th century
- Ancient - Classical - Medieval
- Arts & Culture
- Abstract expressionism: a phenomenon, not a movement
- Adventures of the Black Square, Whitechapel Gallery
- Ai Weiwei: Most art is political
- Before And After John Berger: Remembering The Great Storyteller
- Book review – The Vanishing Man: In Pursuit of Velázquez by Laura Cumming
- Can you separate the artist from the art?
- Colouring Out: Queer British Art at the Tate
- Double portraits: Sebastian Smee on The Art of Rivalry
- Dumbed-down ‘accessible’ writing is just as bad as obscurantist art-speak
- Imagine… Jeff Koons: Diary of a Seducer, BBC One
- Oslo: From Heritage to Art Now
- Paul Nash: haunting paintings from the battlefields of war
- Picasso: Love, Sex and Art, BBC Four
- The dark side of the Belle Époque
- The extraordinary talent of Sarah Kane
- The great austerity con: The Ministry of Nostalgia by Owen Hatherley
- The Tricycle were right over the UK Jewish Film Festival
- Through the eyes of JG Ballard
- Top Exhibitions of 2016 / Five of the Best for 2017
- What makes art art? And why gaming may not make the grade
- Why Alain de Botton is a moron
- Opinion
- Can you separate the artist from the art?
- Dumbed-down ‘accessible’ writing is just as bad as obscurantist art-speak
- The Tricycle were right over the UK Jewish Film Festival
- Tristram Hunt’s new job at the V&A should make us all feel depressed
- Turner Prize 2017: inclusion of over-50s reflects reality of artists’ careers today
- What makes art art? And why gaming may not make the grade
- Why Alain de Botton is a moron
- Lists etc.