Site Map PagesAbout Me Artists A-Z Contact Me Privacy and Cookies Policy Terms and Conditions Video Posts1960 - Contemporary120 Years of European History, in 3 Disorienting HoursA Q&A with John AkomfrahA Q&A with Lubaina HimidA Q&A with Luc TuymansA Q&A with Rose WylieA Q&A with… Alex Katz, painterA Q&A…. with George Shaw, painterAi Weiwei at the Royal AcademyAi Weiwei: Most art is politicalAlice Neel, UptownAn Open Book: Chantal JoffeAn Open Book: Quentin BlakeAnselm Kiefer at the Royal AcademyAnthony Caro, 1924-2013Bob Dylan: Portraits at the National Portrait GalleryBridget Riley: The Stripe Paintings at David ZwirnerChuck CloseCombine Harvester: Robert Rauschenberg at Tate ModernConceptual Art in Britain 1964-1979Cy Twombly & Nicolas Poussin at Dulwich Picture GalleryDavid Hockney at Dulwich Picture GalleryDavid Hockney: buoyantly witty, expansive, and sometimes difficultDrawing in Silver and Gold: Leonardo to Jasper JohnsFelix Gonzalez-Torres: playfully teasing, deadly seriousFeminist art of the 1970s: knives, nudity and terrified MenGerhard Richter: Panorama, Tate ModernGiant Steps: Robert Therrien at Parasol UnitGrayson Perry at Turner ContemporaryHelen Frankenthaler at Turner ContemporaryHilma af Klint / Das InstitutImagine… Jeff Koons: Diary of a Seducer, BBC OneIn Sol LeWitt’s head is a machine that makes artInventing Masks: Gillian Wearing and Claude CahunJasper Johns at the Courtauld GalleryJeff Koons: so clever, yet so dumbKettle’s Yard: Cambridge gallery’s new extension allows its magical domesticity to shineKienholz at Sprüth MagersMarina Abramovič at the Serpentine GalleryMichael Dean: Sic Glyphs at the South London GalleryPainting the American Dream: Jasper Johns at the Royal AcademyPauline Boty: Pop Artist and Woman at Pallant House GalleryPerforming for the Camera at Tate ModernPhilip Guston at Timothy Taylor GalleryRichard Diebenkorn at the Royal AcademyRichard Hamilton at Tate ModernRichard Hamilton at the Serpentine GallerySarah Lucas at the Whitechapel GalleryShe comes in colours: Surrealist women artists at the White CubeShe’s lost control: Sophie Calle at the Whitechapel GallerySusan Hiller at Tate BritainTate’s Black Power exhibition: a timely clenched fist in the gutThe Bride and the Bachelors, Barbican Art GalleryTurner Prize 2015, GlasgowTurner Prize 2016 exhibition: verve, energy and plenty of earthy humourTurner Prize 2017 exhibition: exciting artists shine in a cleverly curated showTurner Prize 2017: inclusion of over-50s reflects reality of artists’ careers todayTurner Prize 2018: imaginative film works that deserve the time they demandWarhol at Tate ModernWhy I love Tracey Emin’s bedWilliam Scott at Hepworth WakefieldYoko Ono at Guggenheim BilbaoModern / avant-garde: 19th - 20th centuriesA Viennese Whirl: Klimt & Schiele Go Head-to-HeadA Year Of Wonders: Picasso, 1932Abstract expressionism: a phenomenon, not a movementAdventures of the Black Square, Whitechapel GalleryAfter The Revolution: Russian Art at The Royal AcademyAlexander Calder at Tate ModernAlice Neel, UptownAustralian artist Sidney Nolan and his haunting heroesBrilliant, innovative, ingenious: Cézanne Portraits at the National Portrait GalleryCamille Claudel: The tragic lover who never escaped Rodin’s shadowCapitalist Realism: American Art at The Royal AcademyCézanne’s Card Players at the Courtauld GalleryColouring Out: Queer British Art at the TateCombine Harvester: Robert Rauschenberg at Tate ModernDavid Hockney: buoyantly witty, expansive, and sometimes difficultDouble portraits: Sebastian Smee on The Art of RivalryDrawing in Silver and Gold: Leonardo to Jasper JohnsEdouard Manet at the Royal AcademyEnsor: Before and After MagritteFrom kitchen slaves to industrial workers – the superwomen of Soviet artGraham SutherlandGraham Sutherland: An Unfinished World, Modern Art OxfordHelen Frankenthaler at Turner ContemporaryHenri Matisse at Tate ModernHilma af Klint / Das InstitutHonoré Daumier at the Royal AcademyHow a small African figurine changed artHow American Gothic became an iconI Am A Camera: August Sander meets Otto Dix in LiverpoolInventing Masks: Gillian Wearing and Claude CahunJoseph Cornell at the Royal AcademyKazimir Malevich at Tate ModernKettle’s Yard: Cambridge gallery’s new extension allows its magical domesticity to shineLowry and the Painting of Modern Life at Tate BritainMark Rothko at Gemeentemuseum, The HagueMondrian at Turner Contemporary and Tate LiverpoolPainting the American Dream: Jasper Johns at the Royal AcademyPaul Nash: haunting paintings from the battlefields of warPerforming for the Camera at Tate ModernPicasso in Paris 1900-1907Picasso: Love, Sex and Art, BBC FourPicasso: Minotaurs and MatadorsPicasso: The Vollard SuiteRichard Diebenkorn at the Royal AcademySargent and the Sea at the Royal AcademyShe comes in colours: Surrealist women artists at the White CubeStanley Spencer: Nursery (Christmas Stockings)The Bride and the Bachelors, Barbican Art GalleryThe dark side of the Belle ÉpoqueThe illustrated man: on John Minton’s centenaryToo Cool For School: Hopper, Hartley, Demuth at The AshmoleanWarhol at Tate ModernWilliam Scott at Hepworth Wakefield17th - 18th centuriesBook review – The Vanishing Man: In Pursuit of Velázquez by Laura CummingCy Twombly & Nicolas Poussin at Dulwich Picture GalleryDrawing in Silver and Gold: Leonardo to Jasper JohnsFrancisco Goya at the National GalleryJMW Turner at Tate BritainRenaissance to 16th centuryCaravaggio: his art and his influenceDrawing in Silver and Gold: Leonardo to Jasper JohnsFra Angelico to Leonardo: Italian Renaissance DrawingsLeonardo da Vinci: Painter at the Court of Milan, National GalleryOn the trail of Piero della FrancescaPieter Bruegel the Elder: Hunters in the SnowAncient - Classical - MedievalDefining Beauty: The Body in Ancient Greek ArtArts & Culture120 Years of European History, in 3 Disorienting HoursAbstract expressionism: a phenomenon, not a movementAdventures of the Black Square, Whitechapel GalleryAi Weiwei: Most art is politicalBefore And After John Berger: Remembering The Great StorytellerBook review – The Vanishing Man: In Pursuit of Velázquez by Laura CummingCan you separate the artist from the art?Colouring Out: Queer British Art at the TateDouble portraits: Sebastian Smee on The Art of RivalryDumbed-down ‘accessible’ writing is just as bad as obscurantist art-speakImagine… Jeff Koons: Diary of a Seducer, BBC OneOslo: From Heritage to Art NowPaul Nash: haunting paintings from the battlefields of warPicasso: Love, Sex and Art, BBC FourThe dark side of the Belle ÉpoqueThe extraordinary talent of Sarah KaneThe great austerity con: The Ministry of Nostalgia by Owen HatherleyThe Tricycle were right over the UK Jewish Film FestivalThrough the eyes of JG BallardTop Exhibitions of 2016 / Five of the Best for 2017What makes art art? And why gaming may not make the gradeWhy Alain de Botton is a moronOpinionCan you separate the artist from the art?Dumbed-down ‘accessible’ writing is just as bad as obscurantist art-speakThe Tricycle were right over the UK Jewish Film FestivalTristram Hunt’s new job at the V&A should make us all feel depressedTurner Prize 2017: inclusion of over-50s reflects reality of artists’ careers todayWhat makes art art? And why gaming may not make the gradeWhy Alain de Botton is a moronLists etc.10 American Paintings Before PollockBest and Worst of 2015Poems inspired by PaintingsTop Exhibitions of 2016 / Five of the Best for 2017Categories Arts & Culture Opinion Lists etc.